The Cathedral of Shit telethon team have wolfed their mid-morning Subways and are nearly ready to announce their first total. As the not for profit artworld crowd around their macbooks, asking “who the fuck are Art Gene?”, we’ve pulled out a few titbits. There are winners. There are losers. And then there’s the Otolith Group!
* Hells bells! The ICA is down 42.2%. But with fundraising whizz Alison Myners and Gregor ‘just left a commercial gallery’ Muir in place, perhaps not a disaster. It was always going to a hard ask after the shambles of Eshun/Yentob/that other bloke who buggered the accounts.
* The Serpentine gets a 31.5% increase to take it to around £1.25 million per year. Because they need the cash! After all that second space doesn’t come cheap. And this doesn’t have anything to do with ACE wanting to secure their regular invitations to the summer party.
* The Otolith Group have been cut but are still being recognised as an organisation which is pleasant for them, and annoying for every other artist who hadn’t worked out this particular scam.
* Surely some mistake here: Workplace Gallery – a commercial gallery in Newcastle who regularly show at international art fairs becomes portfolio funded at £120,000 over three years. Bizzare – surely this review was supposed to get rid of these commercial inconsistencies?
* Rumours abound that South London Gallery are planning a move to the Mall after their 127.3% increase. Peckham isn’t big enough for them anymore. But seriously folks, well done to fellow South Londoners, Studio Voltaire and Auto Italia
* Despite improvements after the appointment of nice Grant Watson as curator, Iniva have been slashed, paying for years of piss-poor programming and seemingly not really doing anything.
And finally –
* DON’T PANIC! The National Glass Centre have had an 87.5% increase! Thank fuck.